The impact of digitisation makes “everyone’s work more challenging”, Givanni admits. While physical film has a potential shelf life of hundreds of years, digital preservation requires constant migration to keep up with changing technology. In America alone, it is estimated more than 80% of Black films from the silent era are lost, and technological advances endanger film further. Lack of preservation has meant many of pan-African cinema’s masterworks have disappeared.
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She kept adding elements to her collection, she says, “because I needed to use them for subsequent programmes and as part of building a body of knowledge and a whole series of resources that can be shared with others.” “My mum went to the school twice before they moved me up to my age range.” As an adult, Givanni collaborated with some of the most significant figures and institutions in pan-African cinema and across “different territories, different continents”. “They put me with the five-year-olds because I was Black and I’d come from the Caribbean,” she remembers. Photograph: Amaal Said/Courtesy of JGPACAīorn in British Guiana 72 years ago, Givanni moved to the UK aged seven and was immediately underestimated. ‘There’s an experience that goes beyond digital representation’ … June Givanni in the archive. When she received the British independent film awards’ grand jury prize in 2021, the organisers said that she had “made an extraordinary, selfless and lifelong contribution to documenting a pivotal period of film history”.
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Though she wants the films, documents, artworks and objects she has preserved to be the focus of people’s attention – from an installation of the earliest audiovisual works by the Black Audio Film Collective to new works by the Chimurenga collective from South Africa – Givanni is more than worthy of the spotlight. “My name is part of it because I worked as a curator for many years and collected work throughout the non-digital era, which developed into this archive.” “I don’t want it to sound like it’s all me, me, me,” she worries. W hile the exhibition at London’s Raven Row gallery is called PerAnkh: The June Givanni Pan African Cinema Archive, the Black British film curator, activist and archivist who created it is hesitant about positioning herself front and centre.
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